Sunday, 30 January 2011
Wednesday, 26 January 2011
Wednesday, 19 January 2011
windows & walls
Yesterday the sky was naked,
today she's wrapped herself in grey,
And I have cloaked myself in my hat
and coat and dreams.
So for now I am safe from the cold
whatever today brings.
An extract from Robin Grey's song Shakers & Shudders*
*Jointly written and recorded with Beth Darti in about an hour.
music.robingrey.com/track/shakes-and-shudders
Sunday, 16 January 2011
Alan comes back...
Below, the final version of my book project: a photographic diary documenting a one year educational journey of a boy called Alan...
Thursday, 13 January 2011
bluish
bluish, adjective - somewhat blue...
Also, blueish.
Origin:
1350–1400;
—Related forms
blu·ish·ness, noun
dictionary.com
Sunday, 9 January 2011
5 rhythms: Stillness
Disease is inertia. Healing is movement. If you put the body in motion,
you will change.
You are meant to move: from flowing to staccato, through chaos into lyrical
and back into the stillness from which all movement comes...
Gabrielle Roth
Saturday, 8 January 2011
Friday, 7 January 2011
Laundry
...Childhood memories are sweet
as sugar floss.
Was careless to climb trees,
pick poppies,
build sandcastles.
Round in circles,
riding on my yellow bike.
Waiting for the ice-cream mann
to stop by.
Who lives now in our house?
Does the ice-cream man
whose face I still remember,
play the same melody?
Time never lasts
but memories are still alive.
Picture of the past
in fated pastles.
Street from my childhood
where everything was new.
Aga Zaryan, Cherry Tree Avenue
Wednesday, 5 January 2011
Tuesday, 4 January 2011
Julia
I'm Juliet
I'm 23
I once touched love
it had the bitter taste
of black coffee
it quickened my heartbeat
crazed
my living body
rocked my senses
it left
I'm Juliet
high up on a balcony
suspended
I cry come back
I call come back
biting my lips
I draw blood
It hasn't come back
I'm Juliet
a thousand years old
alive -
H. Poswiatowska
Sunday, 2 January 2011
Movement in red
Project statement
The grass doesn’t want anything from me, it rises to its own purpose,
and sweetly following the single holy dictum:
to be itself, to let the sky be the sky, to let a young girl be a young girl freely –
to let a middle-aged woman be, comfortably, a middle-aged woman. Mary Oliver
A Movement in red series is inspired by my passion for 5 rhythms movement practice; it forms a part of a bigger entity called Movement Project.
In the presented series, in the course of one day, I and my friend – Ewelina, were exploring the possibilities of capturing movement, including shadows, shapes and colour, into the photographic frame.
My explorations in the 5 rhythms landscape I began over three years ago. At the time I was about completing an Introduction to Transpersonal Studies course. The course inspired me to dive into a field of the therapeutic bodywork and thereby to find a way to process my own creative blocks I was experiencing back then on a very frequent basis; I got to a point where I did not know any more how to approach my documentary practice. It was a quite difficult and uncomfortable place to be: a moment when I realised that my passion for documentary film needed to take on a different shape and I did not know at all how to deal with it.
Looking back at the first 5 rhythms dance classes I attended, it was not easy for me to find a connection to my body and to explore how I relate to it and to its particular parts. At the time “my head” was in charge, always ready to give solutions on how I “should” move my body. Over the time – despite of moments of resistance and frustration – I developed a strong sense of commitment to the practice.
This is how, gradually, I started to shift from a restricted and controlled movement to an exploration of my
body and its movements.
This is, too, how I found my way to speak through images again and thereby regained my - temporarily lost - documentary perception: I learnt to see my documentary practice in a broader context, that means - not restricted any more by my preconceptions about what kind of documentary filmmaker I “should” be or how my career as a documentary filmmaker “should” look like.
Instead, I started to look at my everyday in a more mindful way what, in turn, led me to the new documentary endeavours.
A Movement in red series is one of them.
In the picture: Ewelina Jendrzejczak
Saturday, 1 January 2011
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